Catalogue entry

Still Life, Rotting Squash
Catalogue no. 426
1941–42
Wellfleet, MA
Oil on canvas
30 x 36 in. (76.2 x 91.4 cm)
Signed, dated on lower right: "E W Dickinson / 1942"
John Halperin
Photo: Harlee Little
Notes

Notes: Painted in Wellfleet, MA, in 43 sittings; beginning on 15 November, continued 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 29, 30, December 1, 2, (second drape), 3, 8, 9, 10, 16, 17, 18, 20, 21, 26, 29. 1942, February 10, 15, 16, 17, 25 (journal). To Tibi, November 30, 1941: "The piece I am doing is a 30 x 36 still life of a red & a Hubbard squash with a detail photograph from the 'Burial of the Duke [sic] of Orgaz' by El Greco, drapery etc - (Bertha's brocade satin.)." Bertha Dickinson White, was their father's youngest sister. There are also two artificial roses, one pink and one yellow; and a French naval striped shirt coiled in a fossiliferous spiral. In the COH pp 153-157, he said: ". . . the nature of the objects didn't make any difference, and any surrealism (the undershirt and the print of El Greco aare not expectable together) would be accidental . . . They were things that were at hand which were the right size, and their patina was different-- . . . and the undershirt offers, as drapery does to the painter, the wonderful chance to have something that will hold still take almost any shape he wants. . . . The squash, as it began to rot, I followed it around. Its color changed a great deal, and it improved, because things that are putrid are usually much more interesting in color, and perhaps in surface, in texture, than things that are in a good state of what we consider health. . . . it got more beautiful as it got older."

ED's private name for this painting was "The Bow" as the striped shirt reminded him of a man bowing, ( journal January 17, 1947, February 11, 1953 and FD memory). This format of an oval in a rectangle he used only this once.

Provenance
Dr. Alexander Halperin
Estate
John Halperin
Exhibition History
Federation Modern Painters & Sculptors, New York, 1942, as "Still Life".
Georgette Passedoit Gallery, New York, Paintings, Edwin Dickinson, March 9–28, 1942, as "Still Life".
Monomoy Theatre, Chatham, Massachusetts, Work by Edwin Dickinson, August 11–18, 1942, as "Still Life".
Wildenstein, New York, 1944.
Institute of Modern Art, 1947, as "Still Life".
Kenneth Taylor Galleries, Nantucket, Massachusetts, Edwin Dickinson, Paintings, July 14–August ? 1947.
Inst. Modern Art, 1948.
National Academy of Design, New York, Annual, 1949, as "Still Life".
National Institute Arts & Letters, New York, Candidates for Grants, 1953.
American Academy of Arts and Letters and National Institute of Arts and Letters, New York, Exhibition of Work by Newly Elected Members, Recipients of Honors, and Childe Hassam Fund Purchases, May 23–June 24, 1956.
Whitney Museum of American Art, New York, Edwin Dickinson. Major retrospective, October 20–November 28, 1965, as "Still Life".
Additional Images
Still Life, Rotting Squash, 1941–42 (Catalogue no. 426)
Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Dickinson Baldwin, Helen. "Still Life, Rotting Squash, 1941–42 (Catalogue no. 426)." In The Edwin Dickinson Catalogue Raisonné. www.edwindickinson.org/catalogue/entry.php?id=426 (accessed on July 23, 2026).